Im horrified to hear this I have never heard a S1, but i love all the HT-venue series. The new amps fire up with a bare minimum of noise – just a little hiss and practically zero hum – indicating that these are well-sorted amp designs, as you’d expect from Blackstar. I struggled to get any usable thickness from the low mids without it sounding muddy and the gain was fizzy. All three heads are large and very heavy, thanks to massive mains and output transformers. Similarly, the crunch channel can be run in normal and super crunch modes, the former providing a lower gain crunch with a looser feel, while super crunch boosts the gain and tightens up the damping for a modern crunch metal tone. Over the past decade, Blackstar has developed into one of the world’s leading amp manufacturers with an expanding artist list of top players, a recent Queen’s Award for Enterprise for international trade and over 30 employees now based at the company’s Northampton HQ.
I always hear the Series One was horrid. Slap a mic on them and they’ll always sound good. Three awesome heads that round off the Series One range. And I still love my HT-dual pedal though I will admit it sounds even better if hit with a midrange strong boost pedal for solo’s. Advertise on the most comprehensive and widely viewed musicians’ website. Let’s dive straight in and see how the new additions perform.
Rear panel features include a speaker-emulated line out with balanced and unbalanced connectors, a series effects loop with switchable levels and a pair of MIDI in and thru sockets that power the channel switching, alongside the included foot controller.
We expected the 6L6 S to sound different, but it is surprising just how much of a difference there is. Clearly a company that doesn’t do things by halves, Blackstar has recently expanded its bestselling Series One range with three new heads: I’ve heard better tones from the HT series than the Series one.
Login or Sign Up. We frequent the same studio often Neil and seeing as I record bands that use Blackstars and Tim tours or does shows with lots of bands that seem to be using them, I think we are allowed an opinion. There’s a lot of competition at this particular price point, but not much of it can match these Blackstars for tone, flexibility, features and sheer ‘I want’ appeal.
But that’s another story, and I do like the tones you get. OD1 is a little more aggressive and is at home with metal and thrash, OD2 is fatter and rounder, making it better suited to Satch or Vai-style warbling. The two S amps are proper four-channel heads, with four pairs of gain and channel volume controls feeding into two sets of EQs: They’re perfect for semi-pro cover band specialists or pro players who need to faithfully reproduce recorded guitar tracks for live shows.
The differences between the 6L6 and EL34 versions extend well beyond the glassware and different coloured control knobs.
Im horrified to hear this I have never heard a S1, but i love all the HT-venue series. The two different overdrive modes serve up huge distortion effects, with practically endless sustain at higher settings.
Similarly, the crunch channel can be run in normal and super crunch modes, the former providing a lower gain crunch with a looser feel, while super crunch boosts the gain and tightens up the damping for a modern crunch metal tone. Also, judging by the thread it’s not just me and Tim bashing them.
Blackstar S1 6L6 – Page 2 – Official Blackstaramps Forum
So it’s not like I was just recording with an iPhone or something Join the HC Newsletter. This was easily one of the worst amps I esries had to record. I tried three different cabs. This is often what I hear. A rectifier,Plexi, Twin etc.
Blackstar S1-104 EL34, S1-104 6L6 & S1-50 review
Previous 1 2 3 4 5 6 7 tewt Next. But don’t dismiss the S as just a budget option; its highly responsive tones and relative simplicity make this more of a player’s amp, notwithstanding the fact it shares the same useful MIDI flexibility as its siblings. I could not get a good sound out of it for love nor money. The 6L6 is often associated with more polite tones, leaving all the bite and aggression to the EL34; however, with the S, this seems to have been reversed.
This is further reinforced if you look inside the deep steel chassis: Image 2 of 4 We were suprised by just how much difference there is between the EL34s and the 6L6s. Beyond any doubt, three very good reasons to get back into stacks! Funny how you and Timmy bash black star amps on a regular basis We frequent the same studio often Neil and seeing as I record bands that use Blackstars and Tim tours or does shows with lots of bands that seem to be using them, I think we are allowed an opinion.
Funny how you and Timmy bash black star amps on a regular basis. Help FAQs Go to top. Anyone love these amps? And I still love my HT-dual pedal though I will admit it sounds even better if hit with a midrange strong boost pedal for solo’s When an amp costs.
Official Blackstaramps Forum
The clean channel on all three is exceptionally versatile, with glassy ‘Blackface’-inspired highs at moderate gains that cut through without becoming shrill.
On all three amps the speaker emulated line out sends a clean and powerful signal straight to desk that needs hardly any work to sound superb; for recording just add a touch of compression and you’re there. Every mic placement I used sounded rubbish and there was a very harsh top to the sound that just made the amp sound thin. View the Media Kit. There are four controls for presence and resonance – shaping the power amp’s overall high and low frequency response – and an overall master volume combined with the Dynamic Power Reduction control, which varies the amp’s output from watts down to just Which is a shame because I was hoping for big things with the watt one.
The S head greatly impressed us too, despite only having the top half of the S’s control panel, its lower output power adding yet more versatility as the power amp drive effects were more noticeable.
Overall we’re very impressed – the Series Ones combine audiophile valve know-how and digital expertise with rugged reliability and good looks, while the manufacturing standard of its Korean plant easily exceeds that of many European and US-built products. I don’t like all blackstar amps but I think they are very usable. I thought it was pony. Image 4 of 4 The Series One build quality remains impeccable. I always hear the Series One was horrid. And along with the superb build standards, we think all three heads represent truly excellent value for money.
In addition to bass, mid and treble, both EQs have Blackstar’s ISF control, which progressively morphs the tone circuitry from British to American values, significantly expanding the amp’s sound shaping abilities.
All the clips I’ve ever heard suck too. This means the beam-tetrode-powered version has a harder and more in-your-face tone that’s perfect for modern USA-approved rock.
Tried one out, sounded like bag of dicks Side of cheese. Blackstar Series One 6L6.